Age: 3 and up
Genre: Picture book
I recently
attended a wonderful yearly event, the Princeton Children’s Book Festival. This
is a day when over 50 authors and illustrators come to Princeton, NJ and sit
outside the library at tables with big stacks of their books just waiting to be
signed for eager children (and adults). While maneuvering through the crowds,
which seem to get bigger every year, a Madeline
book caught my eye. I grew up reading about the French orphan and her many
adventures, and I thought surely the
author isn’t here. He can’t still be alive. Those books were old when I was
young. But there was a gentleman sitting at the table in front of several
Madeline books, so while he chatted with a child and parent, I picked a book up
and flipped to the “about the author” portion on the back flap. Here I read
that this man, John Bemelmans Marciano, is grandson to Madeline’s original
creator, Ludwig Bemelmans, and “carries on the Madeline legacy.” So I purchased
a copy of Madeline and the Old House in
Paris and thought I’d see how it compared to the Madeline stories I knew
and loved.
Marciano has
used the familiar characters, including the titular Madeline, Miss Clavel, and
neighbor boy Pepito. In this story, the head of the school where Madeline lives
(“the old house in Paris” referred to in the title), Lord Cucuface, comes to
visit and takes a telescope he finds in the attic. Later that night, awakened
by a strange noise, Madeline leads her classmates back to the attic and finds a
ghost. The ghost reveals himself to be Felix de Lamorte, and the telescope Lord
Cucuface took belongs to him. He needs it back so he can witness a comet that
only comes every 221 years. Madeline and Pepito devise a plan to scare Lord
Cucuface and return Lamorte’s telescope to its rightful owner in time to see
the comet. I enjoyed having a new Madeline adventure to read and was pleased
with Marciano’s creation. His artwork is very similar to Bemelmans’, including
some illustrations entirely in yellow, black, and white. He uses the same
rhyming style in his text, and it reads well. Reading this book put a smile on
my face as I recognized the rhythm and characters of my childhood. Though the
story involves a ghost, he is not in the least bit scary, and I doubt that
young children will be frightened by this book. Fans of Madeline should welcome
this and the other new stories Marciano has lovingly created.
Bibliographic
Information:
Marciano,
John B. Madeline and the Old House in
Paris. New York, NY: Viking, 2013.